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This sets her songs apart from those in pop music as they do not fit a major or minor chord.

Lorde details that her songs are shaped by her lyrics, which she felt as a "more cohesive way of working." She said, "I tend to start with lyrics – sometimes the seed of a song will just be a word that I thought was rad, one that summed up a particular idea I'd been trying to pin down." Lindsay Zoladz from Pitchfork noted that Lorde expressed her indifference towards modern-day's culture, further explaining that "Lorde has introduced herself to the world as someone who gives very few fucks." Jim Pickney from the New Zealand Listener writes that Lorde's lyrics are structured in a short story manner and praised that her songwriting ability "combines unmistakably teenage confusion, curiosity and confidence with word skills beyond her years." In a November 2013 interview with Q, Lorde expressed frustration about "certain things about music": "There are a lot of shock tactics these days.

The album debuted at number one in New Zealand and Australia, as well as topping the US Billboard 200.

In addition, Lorde names several authors including Raymond Carver, Wells Tower, Tobias Wolff, Claire Vaye Watkins, Sylvia Plath, Walt Whitman and T. Eliot as lyrical inspirations – particularly noting their sentence structures. Club, Kevin Mc Farland writes that "[Lorde's] voice is the alpha and omega of her talent.

It's not like I have a problem with dancing around in undies—I think you can use that stuff in a hugely powerful way. Aimee Cliff from The Fader wrote that Lorde should be celebrated for her dancing as it "more freeform and spontaneous" than structured choreography, and it "speaks an entirely different expressive language".

Sara Houston, a British dance academic at the University of Roehampton stated that she found the singer's "stage presence more impactful than the average pop performance," which come across as "uncontrived" and "unchoreographed".

She'd give me a mixture of kid and adult books too, there weren't really any books I wasn't allowed to read. There, they performed covers of Pixie Lott's "Mama Do (Uh Oh, Uh Oh)" and Kings of Leon's "Use Somebody".

Mc Donald's father Ian sent both his home audio recording of her and Louis Mc Donald covering Duffy's song "Warwick Avenue" and his home video recording of the pair singing Pixie Lott's "Mama Do" to Universal Music Group (UMG)'s A&R Scott Maclachlan.

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